· Ellen Douglas is the pseudonym for Josephine Haxton, whose family roots extend back to the earliest settlements in Mississippi, Arkansas, and Louisiana. Can't Quit You, Baby. avg rating — ratings — published — 3 editions. Want to /5. can't quit you, baby. Douglas, Ellen (pseudonym for Josephine Ayres Haxton, ). Published by New York: Atheneum - Macmillan Publishing Company, Buy Can't Quit You, Baby by Ellen Douglas Rich, white Cornelia and poor, black Tweet share a Mississippi kitchen for 15 years, rolling out pie crusts, peeling f.
Ellen Douglas died Nov. 7, , at the age of At the time of her death, she was living in Jackson, Mississippi. Reviews A Review of Can't Quit You Baby () by Julie Tomlinson (SHS) The novel Can't Quit You, Baby by Ellen Douglas is filled with compassion and heartache, but it is based on a friendship that stands on solid ground. The. Ellen Douglas's Can't Quit You, Baby Ellen Douglas's novel Can't Quit You, Baby is the story of two Southern women, Cornelia, a middle-class white woman, and Tweet, an African-American domestic worker in Cornelia's home. The novel develops around the histories of these two women and the relationship. Buy Can't Quit You, Baby by Ellen Douglas Rich, white Cornelia and poor, black Tweet share a Mississippi kitchen for 15 years, rolling out pie crusts, peeling f.
Ellen Douglas's Can't Quit You, Baby Ellen Douglas's novel Can't Quit You, Baby is the story of two Southern women, Cornelia, a middle-class white woman, and Tweet, an African-American domestic worker in Cornelia's home. The novel develops around the histories of these two women and the relationship. J. Died. Novem. Genre. Fiction. edit data. Ellen Douglas is the pseudonym for Josephine Haxton, whose family roots extend back to the earliest settlements in Mississippi, Arkansas, and Louisiana. Her fiction has won many prizes, including the Houghton Mifflin Literary Fellowship, the Hillsdale Prize for Fiction from the. In Can't Quit You, Baby, Ellen Douglas revisits the relationship between races, but only thanks to a change in their situation which forces them to interact in a way for which life has not provided them with a template. In the course of the novel, Douglas first shows how Cornelia, the white woman, perfected the art of turning up or down her hearing aid to monitor her awareness of the world, a strategy to ignore the tangled moccasins of contemporary chaos, and then how this strategy stopped.
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